Monday, 29 August 2011

FACT mix 278: Global Communication

FACT mix 278: Global Communication:


FACT mix 278 is by Global Communication.


It’s a warm, immersive selection comprised entirely of their own work – as GC and also such aliases as Jedi Knights, Secret Ingredients and Reload – and it takes in deep techno, low-slung hip-hop, sinewy sci-fi electro, ambient jungle and other vectors into the unknown. Having reunited this year after a long hiatus, the duo of Mark Pritchard and Tom Middleton is rightfully and righteously reasserting its status as one of the most vital and multi-faceted production units to come out of the rave era.


Classically-trained Tom Middleton came of age in Cornwall, where he fell under the influence of Richard D. James and plunged headlong into the world of electronic music, even co-producing a track (as Schizophrenia) on Aphex Twin‘s Analogue Bubblebath EP. In 1991 he met DJ Mark Pritchard, beginning a creative association that has lasted more than 20 years.


Of course GC are best known for their 1994 debut album 76:14, a landmark in British electronic music that helped define the sound of “chill out” even as it effortlessly outclassed the rest of the field. Middleton and Pritchard’s vision of ambient music was as something sensual and lavishly melodic, but also restrained and refined, shorn of the cheap hippie signifiers synonymous with the era. 76:14 is no mere comedown album, it’s rich and numinous and multiplex. The world its sighing synthetic tones evoke is no blemish-free utopia; there’s a deep melancholy to it, a nostalgia for things that have passed by and are now irrecoverable, and this is all the more noticeable, and all the more moving, when listened to now, some 17 years later. It’s an album that deserves to be spoken of in the same breath as Aphex’s Selected Ambient Works 85-92 and Autechre’s Incunabula.


But of course 76:14 is just a part, albeit the central part, of Pritchard and Middleton’s legacy. If you’ve never heard Pentamerous Metamorphosis, the pair’s epic five-track reinvention of the Blood Music LP by shoegaze middleweights Chapterhouse, then it’s warmly recommended. Reload, originally a Pritchard solo project before Middleton joined its ranks, gave us a fine run of deep, expressive techno records, most notably the jaw-dropping A Collection Of Short Stories, which was included in FACT’s choice of the 20 Best UK Techno records ever made. With the short-lived Secret Ingredients they produced some wonderfully moody, jacking house records, while Jedi Knights was the umbrella under which they presented their own exploratory take on hip-hop and breakbeats – the album New School Science has been cited as an influence by Daft Punk, The Prodigy and The Chemical Brothers among others. There are countless other Pritchard and Middleton aliases – some represented in their FACT mix, like the ambient drum ‘n bass project Chameleon, others not, like Pritchard’s Link, whose 2001 track ‘Amenity’ was recently declared by none other than Richie Hawtin to be the last song he’d like to hear before departing this mortal coil.


As most of you will know, Middleton and Pritchard have hardly been quiet in the years since the release of the classic GC and Reload fare. Middleton has made music as Cosmos, Mod Wheel and Amba, while Pritchard has been particularly visible of late thanks to his interventions in dubstep and its tributaries, including own-name releases on Hyperdub and Deep Medi Musik, and albums for Warp Records as Africa Hitech (with Steve Spacek) and Harmonic 313 (which evolved out of his and Dave Brinkworth’s mid-noughties, retro-experimental electronics project Harmonic 33).


Right now, though the focus is back on Global Communication, and particularly its live incarnation. On Saturday 10 September, We Fear Silence at Cable in London plays host to Tom Middleton and Mark Pritchard present Global Communication – for this one night only, the pair will play not only as GC but as Reload, Jedi Knights, Link, E621, Secret Ingredients and Chameleon, all within a continuous 6-hour live/DJ set that promises “old favourites deconstructed, reconstructed and redefined for today’s dancefloor”. You don’t want this miss this one, to be quite honest, so for more information and tickets click here.


What about new recorded material from the duo? Well, do know that Global Communication are teaming up with The Vinyl Factory to release a series of limited edition vinyl releases this Autumn, including remixes by Lone and Photek alongside their own new edits of classic GC tracks. Keep eyes and ears peeled for those; we’ll let you know when we have more details.


Until then, dig into FACT mix 268, the perfect soundtrack to late August, that beautiful, frightening moment when the finite nature of summer suddenly becomes clear. Rage against the dying of the light, people, and listen to this while you’re doing it.







Direct download: FACT mix 278 – Global Communication

(Available for three weeks)





Tracklist:

1. Global Communication – Obselon Minos

2. Reload – Ptyzh

3. Reload – The Biosphere

4. Jedi Knights – May The Funk Be With You

5. Secret Ingredients – Chicago Chicago

6. Jedi Knights – One For M.A.W.

7. Global Communication – The Way (Secret Ingredients Mix)

8. Jedi Knights – Catch The Break

9. Jedi Knights – Solina

10. Chameleon – Links


Wednesday, 17 August 2011

Ensoniq ESQ-1

Ensoniq ESQ-1: "




I’ve been wanting to make a post about the Ensoniq ESQ-1 for a while. The only reason I didn’t do it sooner is I wanted to buy one on eBay before I drive the prices up! I can happily report I did just click the Buy Now button and got a mint one for $250. Now I’m going to tell you this synth is the biggest secret in the synth world. Ensoniq was an American company and most of their synths are made of metal. The ESQ-1 also has a LED screen which is still beautiful and much nicer than the green/black LCD screens such as on a Yamaha DX7. The ESQ-1 is a digital synth but has all analog curtis filters (like DSI products). They are 4-pole analog resonant filters with 6-stage envelopes. You get 8 voice polyphony. What’s the price difference between a DSI Prophet 8 and a vintage ESQ? See where I am going here? It has 3 oscillators per voice, 32 waveforms, 3 LFOs per voice (triangle, saw, square, random) and 4 VCA + 4 Envelopes with 7 parameters per voice. There’s MIDI, memory and an on-board sequencer.



When I was in college I was friends with a synth band called Exurbia. The lead keyboardist Juan had an Ensoniq. I was constantly blown away by the sound. Skinny Puppy also used one. Recently I was viewing the awesome synth demos Jexus puts online and came across two he posted for the ESQ-1 (see above). I instantly jumped on eBay. I was shocked to see these consistently sell for under $300. I bought one. Another piece in my musical time machine. Go get one.


So your not convinced yet? Check out the video below. All sounds are from the ESQ-1 with no added effects. As an 80s freak I love this…



“The ESQ-1 is an absolutely fantastic synth with a great sound. In modern language – “It has a DSI filter” – you can hear it when it’s running through those ‘lo-fi digital samples’ with high resonance. It’s a very aggressive, powerful sound with lots of low end and depth. The filter makes all the difference and I would never miss analogue saw waves now that I own it. Roland synths of the era were beautiful and smooth, ESQ-1 was heavier and darker.” – Rib (comment on vintagesynth.com)


For more info: vintagesynth.com/ensoniq/ens_esq1


photo credit: Matrixsynth







"

Ensoniq ESQ-1

Ensoniq ESQ-1: "




I’ve been wanting to make a post about the Ensoniq ESQ-1 for a while. The only reason I didn’t do it sooner is I wanted to buy one on eBay before I drive the prices up! I can happily report I did just click the Buy Now button and got a mint one for $250. Now I’m going to tell you this synth is the biggest secret in the synth world. Ensoniq was an American company and most of their synths are made of metal. The ESQ-1 also has a LED screen which is still beautiful and much nicer than the green/black LCD screens such as on a Yamaha DX7. The ESQ-1 is a digital synth but has all analog curtis filters (like DSI products). They are 4-pole analog resonant filters with 6-stage envelopes. You get 8 voice polyphony. What’s the price difference between a DSI Prophet 8 and a vintage ESQ? See where I am going here? It has 3 oscillators per voice, 32 waveforms, 3 LFOs per voice (triangle, saw, square, random) and 4 VCA + 4 Envelopes with 7 parameters per voice. There’s MIDI, memory and an on-board sequencer.



When I was in college I was friends with a synth band called Exurbia. The lead keyboardist Juan had an Ensoniq. I was constantly blown away by the sound. Skinny Puppy also used one. Recently I was viewing the awesome synth demos Jexus puts online and came across two he posted for the ESQ-1 (see above). I instantly jumped on eBay. I was shocked to see these consistently sell for under $300. I bought one. Another piece in my musical time machine. Go get one.


So your not convinced yet? Check out the video below. All sounds are from the ESQ-1 with no added effects. As an 80s freak I love this…



“The ESQ-1 is an absolutely fantastic synth with a great sound. In modern language – “It has a DSI filter” – you can hear it when it’s running through those ‘lo-fi digital samples’ with high resonance. It’s a very aggressive, powerful sound with lots of low end and depth. The filter makes all the difference and I would never miss analogue saw waves now that I own it. Roland synths of the era were beautiful and smooth, ESQ-1 was heavier and darker.” – Rib (comment on vintagesynth.com)


For more info: vintagesynth.com/ensoniq/ens_esq1


photo credit: Matrixsynth







"